There are plenty of stories about weave in many traditions of the world. For example, among the Maya of Mesoamerica imitates weave the creation of the world by the gods. The Act of creation or the "stretching from the Earth" by the four gods of the Chilam Balam has conceptualized within a weaving paradigm for much of the Maya people since the pre-Columbian time. The stretching of space and time calls "an image of the Weaver that the warp strings on her loom GeForce." The undulating topography of the Maya mythos is composed of tangled nets, twisted threads and matted folds. This messy conception of the Earth and the crowded and disorderly under world stands in contrast to the orderly, heavenly weaving of vertical and horizontal elements in the sky. Where heaven and earth meet, there is a "Giant Cosmic seam" which is scheduled as a giant spindle.
The symbolism is a bit further as the woven textile that is the child growing in the womb mimics. Contemporary Maya women still this "weave" of culture and life. The Quiche Maya Nobel Prize winner, Rigoberta Menchu, such as weaving imitating "the form of the ancestors." Weaving together with the Maya peoples of the Andes their stories and myths in their clothing. They dress themselves in their myths, legends and folk tales that, sometimes, are displayed in their clothing. Merge histories with these stories, a powerful tradition increase. The visual metaphors that evolve linking these indigenous peoples through their ancestors and varied cultures at the beginning of time forging an identity and create a sense of security and order. The daily dress cultivates this harmony. So, it can be said that weavers bearers of tradition and representatives of the archetypal female.
In Greek mythology, is one such wife Penelope, the faithful wife of Odysseus, who the many suitors during Odysseus the fateful journey home again. For three years removes them from a shroud for Odysseus father that she is weaving threads. As Penelope the shroud ends, should she one of the many suitors marry. Her resistance proves successful in the return of her husband.
Within the modern mythology presents Arwen Aragorn with a banner symbolizes the resurrection of an ancient Kingdom. In j. r. r. Tolkien's The Lord of The Rings Arwen weaves personal banner as a fulfillment of hope and the defeat of a creeping anarchy represented by Sauron, the lord of the rings. Walt Disney replicates this important casting of weaving in his adaptation of Charles Perrault's Sleeping Beauty, with the proviso that the spindle or Distaff assumes an evil attribute. Rogue prophesizes that Princess Aurora will die on her finger on a spinning wheel Distaff prick. Therefore, father of the Princess prohibits spiders on spindles or distaffs within his Kingdom. She falls on her finger prick, into a deep sleep instead of only to be awakened by the kiss from her true love to die. The story of Sleeping Beauty made a negative value on a long symbol of female productivite.
Weaving has a long and valued tradition. The Weaver must feel that he or she is a part of a long and diverse process that the diversity of the human race mimics. For almost every population there is a story of weaving.
Tish Doan
http://www.weaveyourloomstore.com/
Mr. Block has written about some history of weaving is that might have looked like living everyday life.
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