The great astrological end time

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The Apocalypse is upon us, a part of a great astrological end-time cycle that is impacting humanity today. Global warming is now a reality. Devastating climate changes, including earthquakes and volcanoes, have been getting worse since 1970. We have also seen an epidemic rise in depression and suicide in this same time period. And we are heading for a Sixth Big Extinction of almost all life on earth.

The astrological signs Virgo and Pisces sit in opposition to each other across the zodiac, creating an axis that acts as a trigger for end-time energies. Virgo rules disintegration and extinction, and Pisces rules dissolution, giving to the times occupied by these signs the quality of dramatic change. The table is cleaned and washed in order to create space for a new feast to be set.

In addition to ages, there are twelve eras (my terminology) in every age, and twelve phases in every era. We sit at the beginning of the Pisces Era of the Age of Pisces, 1980 to 2160. This is a doubly intense Pisces/Virgo bath of dissolution and disintegration adding greatly to the end-time quality of this time.

Since the Pisces Phase (1965 to 1980) of the Aquarius Era (1800 to 1980) of the Age of Pisces, our history has taken on a decidedly end-time flavor. Toxic industrial and nuclear pollution made headlines after 1965. A sudden rise in species extinctions became a major concern. International and domestic terrorism exploded onto the scene in Europe and America. Welfare increased dramatically, and inflation began to tear at the economic fabric of our lives. Depression and suicide rates began to climb. And these trends have continued to today. Since 1970 weather patterns began to change, and earthquakes and volcanoes began to increase in frequency and intensity. Global warming is now a scientific fact with devastating projections for our future over the next century. And many researchers say that we have just now entered a Sixth Big Extinction event that will affect all life on earth.

We can look at history to get a perspective on this. The Virgo Eras of the last two ages reveal a history of social and political fragmentation resulting in periods of feudalistic isolation. The Virgo Era of the Age of Aries, from 1080 to 900 BCE, witnessed the internal social and political fragmentation of the Egyptian Empire, the breakdown into warring feudalistic city-states of the First Assyrian Empire, and the establishment of the feudalistic Greek city-states as Greeks moved into their present homeland.

The Virgo Era of the Age of Pisces, 900 to 1080 CE, saw the same fragmentation of culture. Europe disintegrated into small, isolated cities and manors in a system known as manoralism. The Islamic empire fragmented into three separate Caliphates. The Tang Dynasty in China devolved into a fragmented feudalistic system where local warlords ruled the country in the name of the emperor. The Mayans in Central America suddenly and mysteriously disappeared from their homeland after 900 CE.

The Pisces Eras also reveal histories of social and political confusion and breakdown. During the Pisces Era of the Age of Aries, 180 to 0 BCE, the Late Republic in Rome after 200 BCE, entered a period of severe internal violence and social dissolution. There was a massive rise in the number of slaves imported into the city. Citizens were pushed out of their jobs, and a huge welfare state was created. Gladiatorial games were created to keep the people occupied and off the streets. Huge slum tenements were built on the outskirts of the city to house the poor. A widening division between rich and poor split the city as the middle class dissolved and slid into poverty. Politics became a path to wealth and power as greed replaced civic responsibility. Similar trends of social dissolution and internal violence are also seen in the Early Han Dynasty in China between 200 and 0 BCE.

It is easy to see the beginnings of these same trends in our modern world over the last few decades. Welfare and entitlement programs have become a necessary part of the political landscape. Global warming and climate changes are markers for something dramatic that is happening today.

Is this something to be worried about? The smaller Virgo and Pisces Eras create times of social and political breakdown. The longer ages would be times of major end-time scenarios. The Age of Virgo from 12,960 to 10,800 BCE, sits opposite to our present Age of Pisces in the zodiac. At approximately 10,000 BCE, there is evidence of a huge global extinction of large animals, the Pleistocene Extinction, possibly caused by some type of cosmic cataclysm. This is very close to the end of the Age of Virgo, close enough to fit this end-time cycle.

The Beresovka Mammoth was found flash frozen with fresh undigested buttercups in its mouth and stomach. To keep food from the continued process of digestion, the mammoth would had to have been flash frozen to -150 degrees Fahrenheit almost immediately. Also found in Siberia are temperate trees frozen with fruit still on the branches. The muck pits of Alaska reveal many thousands of large animals killed and instantly frozen, torn apart and mixed with the torn trunks of trees, as if they were all violently thrown down with some superhuman force mashing them all together in a single cosmic event.

There was a sudden rise in the level of the world's oceans at around 10,000 BCE as well. Since the 1950s there have been numerous reports of finding underwater manmade megalithic stone walls, stone roads and temples in the Caribbean. More recently a city was discovered under 100 feet of water in the Indian Ocean off the coast of northern India. A recent NASA satellite photograph shows an underwater manmade stone bridge or causeway running from southern India to the island of Sri Lanka. These were all above water prior to 10,000 BCE.

Worldwide, over 500 myths and stories remember at least one such catastrophic world ending tragedy in the past. A handful of them remember more than one such destruction. The ancient Egyptians, who gave to us our ideas about Atlantis, say that there is a regularly recurring cycle of end-time destructions. This is in line with what this astrological end-time cycle reveals.

Now that we are in the Pisces Era within the Age of Pisces since 1980, this could all get worse. The doubly strong astrological energy bath of Pisces dissolution and Virgo disintegration and extinction right now promise apocalypse prior to the promised golden Age of Aquarius, the Millennium of Christ. So, how do we survive into the next age as a species?

The astrology that says that we are in trouble, also tells us to embrace the best of the astrological energies involved. This means embracing the highest Pisces energies, deepening our Pisces spirituality as the best way through this. Pisces rules spirituality. The planet Venus is exalted in Pisces, giving to the religions of this age the heightened impulse to devotion, and expressing selfless and compassionate love to everyone around us, without judgment. We meditate or pray, a Virgo mental technique that allows us to get past our fears, and which helps us to align our personal energies with the spiritual energies of Pisces and with God or Goddess. Expressing these energies in our lives enlivens them for the collective, allowing us to direct the outcome of these times to our own ends.

While the Age of Aquarius is still a good ways off, Pisces rules contact with other worlds, higher worlds. Following the Pisces spiritual path can help us to contact and create heaven on earth right now, without waiting for the golden Age of Aquarius. Pisces rules dreams. We can choose to dream a new world, free from poverty, crime and suffering, and free of destructive prophecy, or at least the more devastating aspects of prophecy. Meditation and prayer in the service of our dreams supports the Aquarius energies of utopia. The planet Mercury, the mind, is exalted in Aquarius. Through positive thinking and affirmations, we can learn to manifest our hopes, dreams and wishes, and create a new utopia, all Aquarius qualities.

The Apocalypse is indeed here. It is riding the wave of an astrologically enlivened end-time cycle. The Golden Age will follow. The astrological qualities of these times, of this end-time, is asking us to become the sons and daughters of God, as Christ foresaw, and take for ourselves the ability to perform all the miracles that Christ performed, and more, in fulfillment of Christ's prophecies regarding us during this transition.

Robert FitzGerald has studied astrological ages and the great astrological end-time cycle for almost 40 years. For more information on this phenomenon please go to http://www.signsofthetimeshistory.com/

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The immortal Chrysanthemum in East Asian art

A Chrysanthemum is an extremely important Asian symbol in the study of Eastern art forms. One should not forget that a chrysanthemum a special kind of plant that is cultivated for its extensive, is ball-shaped flowers. Usually this plant flowers in late summer and autumn seasons. It has a characteristic odor and comes in a variety of colors. These colors would include red, yellow and white. Chrysanthemums are also one of the earliest seasonal and literary themes were observed in Japanese lacquer. She appeared in the 13th century tebako and kogo (incense containers) of the Kamakura period (1185-1333 CE). In addition to the fruition in the early autumn season, chrysanthemums forms a metaphor in the art for long life. This is probably due to their prolonged flowering cycle. Additionally, the dew of the Chrysanthemum often considered to be the elixir of immortality. The symbol of a floating in water Chrysanthemum refers to the idea of this kind of immortality in Japanese art. In the Japanese language, it's called "kikusui."

The Chinese poet Tao Yanming (365-427 CE) also had a legendary love of the chrysanthemum. This love was revealed in one of his classic poems in this way: "Picking chrysanthemums under the eastern fence, quiet I caught a glimpse of the southern mountain." This poem was loved by many mostly because of her essential portrait of the literati lifestyle. This existence involved unrestrained independence vis-à-vis society and employment. It was based on the improvement of a person's soul through travel and intellectual pursuits. In the guarded life of Japanese nobility and samurai warriors who affect the powers of the Government from 1185 until 1868, such an existence as this one seemed ideal. The poet Ki no Tomonori (850-933 CE) is quoted in the Kokinshu and also develops the theme of chrysanthemums. He writes: "If the hoar frost that settles on the hedge overgrown chrysanthemum, In my garden I will melt away desire for you." In this poem, Ki no Tomonori follows the fashion of his day about frustrated, bitter love. The loneliness of the theme is captured in a design on a suzuribako of the early 20th century in the Avant-collection.

Are two fans on the outside of this particular box. They possess landscape designs. One is placed in the upper-right corner, which underlying left a second fan is low. This display shows a composition on the theme of chrysanthemums by a fence bushes near a stream. This recalls the Chrysanthemum theme of both the Chinese and Japanese poetry. There is also the potential for kikusui or "the elixir of immortality". On this fan, chrysanthemums and brush clover from an early fall appear in the foreground lower left. They are counter balanced by cherry blossoms of early spring in the distant trees.

The combination of two fans seems to invite a comparison between the Chinese and Japanese literature. There is Tao Yuan-ming's encomium to the chrysanthemum. A Genji theme or a scene from a play noh seems to also exist in the Japanese way of looking at this work. Neither fan seems to be dominant. The fan in the correct position is first seen by the viewer that reads from right to left. The left fan turns on the right. On the Interior of the box, the artist chosen for a beautiful and modernist treatment for an old theme. The box is elegantly decorated with gold, silver and Brown takamakie. There is also a silver hiramakie detail with a little red and gold kirikane at the black ground.

Often in the study of ancient works of East Asian art, we find this kind of interdependence between two great cultures: China and Japan. In no way does this diminish the historical differences between these two civilizations. However, it suggests that the deep connections in both cultures as Japan is undoubtedly influenced by China. Such connections in the past are therefore important to note while every culture retains its own unique flavor. In any case, the Chrysanthemum is a symbol of immortality, longevity, and even the solitude of a lost love. Chrysanthemum artwork in the Eastern tradition is therefore another excellent addition to your Asian home or Office. The beauty of this symbol gives everyone a sense of the eternal!

Harlan Urwiler answering all questions of your Asian collectibles.

For more information, please feel free to visit my website at: http://www.myorientalgallery.com/.

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Ivory Netsuke-beautiful carvings for display

Netsuke came into being during the seventeenth century Japan (Edo period). These chunks were made for practical purposes-used when the Stirrups of fixed purses which was concealed on a person and loved valuables such as jewelry, some even held important papers and such, money and tobacco. The netsuke was well known for their usefulness and aesthetic value. These carved pieces often depicted people, places, things, sexual values as well as religious ones, etc. They were cut from materials like hardwood, onyx and the most favourable: ivory.

Ivory is what an animal tooth is considered used for material purposes. Often the name of the animal is used when describing something like elephant ivory: Ivory pendant, bears tooth ivory sculptures, mammoth ivory and such. The Japanese would often use ivory for netsuke due to its simplistic beauty. During this time, and even now, was the concept of Wabi-Sabi is a popular. This concept, the honor of beauty in the everyday to an enlightened level formed some of the core values of that period. Ivory permitted a person wants this beauty in the form of ornaments without defacing its value.

The use of ivory netsuke was also a practical choice. This material was a durable for the most part. While historians today not many remains of old ivory pieces, because of their sensitivity must be provided to the elements, newly created pieces, and netsuke during the seventeenth century lasted a long time as well. In some cases, depending on the timing of the mammals, pieces were more durable that others. With this in mind, not number of teeth can be used in the engraving of ivory because of their strength and hardness. Certain teeth are just not able to be cut.

What is preserved of old Japanese Ivory Netsuke has the world of Easter histories experts and enthusiasts opened today. The ivory netsuke are a perfect representation of not only art and craftsmanship of Edo-period Japan but also the way of life, ideologies, relationships and fundamental values of the peoples lives during that time. With the netsuke represent the myths, history and culture of this period, is an unlimited source of insight and knowledge available to the world today. If they physically spoken along the ends of a string, so, they bridge the distance between two very different worlds.

Select from a wide variety of netsuke cut from numerous materials, if you are looking for a specific piece. There are online stores that sell this at affordable prices to help you own netsuke.

Anita satin Choudhary writes for ivory Netsuke Gallery. The Gallery of unique collection of ivory netsuke at Ivory Netsukeleaves

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The Mysteries of the Kings room

I started, on a yacht for some information to verify and dating of "Black them" and write an article about it here. What I eventually discover that something is more interesting, at least I think so.

We are all familiar with the great pyramid of Giza, the beautiful beautiful structure that the remains of the Pharaoh Khufu. Well one thing that is not so well known is the mysterious circumstances in the Kings room. Many famous people have interesting events while experiencing only time in the Chamber. Names like Napoleon, Alexander the great, Aleister Crowley and Paul Burton appear frequently when describing the incidents. The layout of the pyramid as you can see that the Kings room is located along the grand Gallery and above the Queens Room and underground room. With Relief Chambers above it. It is located in the heart of the pyramid and is the main attraction of the place.

Napoleon's secret

Napoleon ventured into the pyramid after the "battle of the Pyramids" in July 1798. While inside the pyramid he wandered to the King room where he spent only somewhere. How long we are not told, and why he wanted to just not listed. What we do know for certain is when you leave the pyramids, fellow associates noticed that Napoleon was not good. He looked shaken up and sad.

They continued to ask him what had to happen and if anything "Mysterious" while in the Kings Chamber had happened. Napoleon probably afraid that he would not be believed or better still thought of as crazy that, replied: "no comment". For many years was the subject left untouched until on his deathbed, his friend by his side Napoleon asked what had happened that day in the Hall of Kings. Once he started to tell him he stopped, stating "I was of no use now you wouldn't believe".

What did Napoleon see that day? We'll never know, there are people and references that refer to the hints and thoughts that he might have saw what was his fate. Others believe that more detailed suggestions, but the truth is that we will never know now.

Alexander the great

No text is found to have proof that Alexander the great did stay or visit the Giza pyramids, it was assumed to the popularity of the pyramids that he would have done ... so. Yes when I found this out, I was a little upset myself. ...

Aleister Crowley

Crowley spend time in the Kings Hall on the honeymoon of his marriage with Rose Kelley. During the night he wanted to impress his wife and his strength in magick. Here is an excerpt from his autobiography.

"The King's Chamber was radiant with the brightest tropical moonlight. The pitiful dirty yellow flame of the candle wax as a profanity, and I put out. The Astral light remains during the whole of the invocation and for some time afterwards, although it reduced in intensity if we composed ourselves to sleep. For the rest is the floor of the King's Chamber particularly uncompromising. In the sleeping out on the rocks, a more or less himself always can meet the local irregularities, but the King's Chamber reminded me of mark; and I must confess a very uncomfortable night have passed. I'm scared me flirted had damaged my Roman virtue. In the morning was the Astral light completely disappeared and the only sound was the flitting of the bats. " Interestingly enough, shortly after rose in a trance and instructed Crowley to meet Aiwass and receive the book of the new AEON ... a longer story short.

Scientific ideas

Many scientist have thought of the granite construction residue energy would keep and possibly even be used as a radio receiver. That being said, they have also discovered radioactive material down under the Queen's Chamber. These two places in combination might inadvertently the cause of the mysteries ... we can never know for certain, I would like to take a trip there and do some research and studies itself. One day I hope I will get the chance.

Go to Arcane archivefor more interesting articles

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The art of "matryoshka"

Russian art and culture are synonymous with Russian heritage, and this unique heritage is characterized by very old and long traditional values in the topic of Arts, literature, philosophy, architecture, music, etc. The involvement of Russia in the field of international tourism is characterized by tens of millions of visitors searching for Russian cities, cities, museums and art galleries. Since Russia was closed in Soviet times, there has been an explosion of interest in Russia in the last 20 years.

Where reference is made to the Russian art, Russian dolls arranged in an important place. The Russian dolls are also named as "matryoshka", He "Doll" or stacking dolls. Russian nesting dolls contain a collection of dolls. The dolls of reduction of size will be and each pop will be placed within the other pop. This may well be understood by the term "onion" as an example. A UI, in a whole is a UI with a certain shape and size. When the entire outer layer is removed, you will find a similar UI inside, which will resemble the original UI in its structure, but with decreasing size. If one goes on the delete layer, finds a similar UI, but in reducing size. Also In Russian nesting dolls, finds a doll inside another pop of the same features, but in reducing size. Normally, the total five dolls in number; but there is no hard and fast rule regarding the number of dolls placed in the other. Traditionally, there were at least five dolls, placed within the other pop, pop, however, the count can be up to several dozen nested dolls. Each pop will suffice painted and designed. The paintings and the artistry that will be the same for all the dolls placed inside the other.

Russian nesting dolls become so famous, that any exhibitions, festivals, performed in Ant country, the Russian nesting dolls are exhibited. These dolls have an almost cylindrical shape. It will have a rounded Summit in the capital region and will to the bottom in relation to the main region thinning. It can contain excellent features. These dolls will have no hands in shape, but one can see hands in the painted form. They were made of wood.

The word means "small" matryoshka "matron". The name "matryona" was a very well-known female name, meaning "mother". The name was originally used to denote the image of a mother who to a large farmer family belonged. She was very healthy and they had a stout body. Later in the course of time it became a symbolic name. First pop was in 1890, created by Vasily Zvyozdochkin. The dolls can be designed in the form of peasant girl wearing traditional clothing or may take the form of Soviet leader or it can take a fairy tale character, robots, movie stars, etc. They can also be certain categories of people or subjects. They can even include nature. Russian dolls are so the perfect platforms to display of both art as an apt message to society.

Russian nesting dolls is a favorite of many Russians stayed for ages now and this Russian dolls are now marketed worldwide through online sites, making it an easier access for art lovers. The author huge expertise in Russian culture career guidance and has many articles written about the same.

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Well-known Indian pottery

The beauty of native American pottery is undeniable. Different European or Oriental styles, Indian pottery is unique and fascinating. It is all the more remarkable because authentic Native American pottery is created without the use of a wheel of potter. This pottery was made using the method of the coil. Long, thin cables of clay are rolled by hand is used to build a pot of the base, to the top. It is a time consuming, demanding method which lets the pot almost as perfect as it was formed on a wheel.

While each Indian tribe produced coil pottery, the most famous is that produced by the Southwest Indians. Some of the most easily recognizable pottery pieces can be from the Navajo, Hopi and Acoma tribes. To help account for the distinctive look offers this pottery, be geometrical or stylised designs used. A key fact about Native American pottery is that it traditionally without the use of a kiln is created. The pots will be placed in a pit, and then a thick layer of sticks and brush are placed over the pit. After the fire is lit, it will harden pottery just as if it had fired in a kiln. After firing, is often the polished pottery polished with a slick River stone.

Native American pottery can be embellished with bold and beautiful designs. Some models are etched right into the wet clay with a variety of hand tools. The patterns can vary from geometric patterns for patterns of animals and birds. Represented on the pottery are things such as Eagles, turtles and cattle. On some pieces of pottery, floral patterns found.

Horsehair is a very unique and interesting form of Indian pottery. By placing horsehair, feathers, seeds, grass stems and other natural objects on the earth work, when it is still hot, produced this unique style. Almost abstract designs in this way are formed, and jars in which red clay has been used are especially attractive. According to the legend that the long hair of a native potter accidentally brushed against a hot piece of pottery. It became an own style so gratifying because the resulting design was.

Native American pottery can in almost every home, an artistic and decorating statement. The earthly shades will offer a unique touch and theme. A House decorated in the style of the Southwest is the perfect place for this type of pottery. A ranch house, a rustic cabin or dwelling, home Indian pottery with great success. Just by adding a unique piece of this pottery to your decor, it will be a bit of the Indian culture add to your home.

Author, Craig Chambers, offers more about Native American pottery on his website. You can also get his monthly newsletter, online discounts and its popular free ebook download of http://www.missiondelrey.com/.

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Don't Fence Me In

WONDER WHAT IS ON THE OTHER SIDE?

Ever had the experience of where you realize that something that you used to make you feel good ... an outfit, a place or even a person ... does not seem to fit right or feeling as good as they once did? What happened to it while I wasn't looking?

I have been having that experience the last time.

When this happens, I usually try to deny or to work through the introduction of a lot of effort to recapture what I am losing. I will make it work, I say ... which of course is just asking for more frustration, but then, I'm a slow learner.

Often I felt naked & vulnerable if it feels like things that have changed things are things that make me feel safe. I resent that I don't have a choice that my "white" are w going away.

With much resistance..

It started to happen last autumn when I had some health challenges and was advised to slow down some and not work so hard. I knew it was good advice and although difficult to put into practice, I liked the idea. And thought that it would be great to have more time for myself.

So I started with some (many) of the resistance, to let go of some projects and commitments.

When the winter came, I enjoyed some winter sleep but still loved my long list of "tasks". The silence voiced kept asking me, "who would you do without all the?" It was scary to think that.

But by the spring, I began to get restless and felt "fenced" by all the shoulds "most &" I built around me.

Reluctantly started to happen to me all the "obligations" gave me some identity as well as kept me very busy with no time to look around.

The "safe places" no longer appropriate or felt so good.

And while that is very good for a long time was, I could also see that it also kept me in one place. My protection "fences" had, in some respects, was barriers. The "safe places" no longer appropriate or felt so good.

I began to see that I needed to slow down, so I initially could pay. But now I needed to clear some room to grow. ... I needed more wide open spaces and fewer fences.

If every day is filled, it leaves little room for exploring the creation of &.

What would my life be if I could release a bit and space for new and old dreams open to appear? And if I allow myself to feel a bit insecure and naked could, maybe I could take some of my "fear fence" ... and I could have a great new view!

So now if I take baby steps in exploring some new areas, I play the old cowboy song, "Don't Fence Me In" and the Dixie Chicks beautiful song "Wide Open spaces" celebrate.

They remind me that there are only in our fences outgrow, that we really are free

Jeannie Fennel, Ph.d. "Transitions Specialist" http://lifeworksonline.net/

"If your life or work needs a" again ", I am the one to come." I offer a free 30 minute phone laser consutation to you dealing with the life that you deserve to get. Contact me on my website ...Your best life is wait, what are you waiting for? If your life does not work as you want, we can provide you with the tools, resources, and motivation to create a life that works & work ... professionally and personally.

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Transylvania and the Pied Piper and the children of Hamelin, the Transylvanian Saxons

Like most historic country keeps Transylvania many legends. There is Vlad the Impaler. Some have a fairytale quality to them. Some are rooted in historical fact, and some have a bit of both. For the Saxons of Transylvania, where they came from is just as important as where they lived. Even the Pied Piper has a bit of the history of Transylvania in the.

The flute of the Pied Piper still calls us to follow him to Transylvania. At least this is what some versions say. The poem by Robert Browning, based on this story, ends with the verse that the children went to Transylvania from the German city of Hameln. Even the folk storytellers the Brothers Grimm have their own version of what happened. As with Vlad the Impaler, this makes for a great story.

The village of Hamelin is where the story of the Pied Piper begins. From there, the Pied Piper was a person who took the children from their parents. Because what happened to the children remains a mystery, many people have their own theories.

-According to some, the Pied Piper led the children from the village in the hills to kill them.

-Let the children according to others on a crusade.

-According to another group left the children their parents for Eastern Europe. Robert Browning refers to this theory in his legendary poem "the Pied Piper of Hamelin."

-Later there was a rumor that the bones of small children were found in the nearby forest. Then demanded there is another theory, the black death the lives of the children.

The story begins in Hamelin where there is a rat infestation. A man comes and offers its services in exchange for payment. The man does this but the townspeople do not follow their part of the appointment. The man then later returned and then played is pipe to lure of the children of the townspeople in a cave.

The Pied Piper and the children were never seen again. The last theory is that the Pied Piper took the children to Transylvania, and these children was the "German Saxony" of space. This would be the end referenced in the Browning poem. The shorter or newer versions of Browning don't end this, but if you looking for the longer version you can read this end.

Like many legends there is some truth to this story, and in Hameln is there a place where many people stop and not forgotten. In this case, for what that they believe that there is a link to Transylvania there, since the childrens crusade to Jerusalem, during this time.

These theories are interesting, but there is a core of truth to the people in the region of Germany (or the provinces and City-States that Germany would be in 1871.)

There are people of German origin who after the 11th century in Transylvania lived. Vlad Tepes (also known as Vald Dracul) treated with them and these people eventually became known as the Saxons. Not much has been written for this people, but they, for the most part, Transylvania left after the second world war.

Rebecca is the author of many hubs on publish on hubpages and the blog live a life of writing, the http://rebeccasbook.blogspot.com/. They also write about Transylvania on things about http://transylvaniathings.blogspot.com/Transylvania

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Unsympathetic titular characters in Shakespeare: Hamlet, Macbeth and Othello

William Shakespeare seemed to have had a penchant for unsympathetic titular characters. Many of his plays, especially the tragedies, were named after indecisive, selfish, vindictive or otherwise just unpleasant men. It's hard to enjoy a work of literature or theater as the protagonist is unattractive, but plays such as Hamlet and Macbeth, Othello have experienced for centuries.

Hamlet, Prince of Denmark, begins sympathetic; his father has recently died, and the King hamlet has good reason (as the word of a ghost, you can consider "good reason") to believe that his mother and uncle (who, by the way, has his mother married shortly after his father's death) planned his father's murder. He pays to seek revenge for this offence, but is not sure of how to act. And it is unsure of how to act. And it is unsure of how to act. He kills his uncle Claudius? He kills his mother? He kills himself? It is this dilemma that inspires his famous soliloquy (and what is probably the most famous of the hamlet quotes) "If or not to be".

Othello (the Moor), while also unsympathetic, very different from Hamlet. He begins the game as a relatively pleasant character; and a modern reader may be inclined to sympathize with him on the basis of her distaste for any racism she encountered in all the other characters can detect. He seems a strong soldier, a loving husband, good friend. But soon, his right hand Iago casts doubt in Othello's thoughts on the very innocent friendship between his wife Desdemona and a young up-and-comer Cassio. Othello's unable to look past his jealousy and eventually smothered his wife in their own bed, about eliminating any goodwill he had earned from the public earlier in the game.

And then there's Macbeth. Quick Macbeth summary: such as Othello, he distinguishes itself on the battlefield and returned home to Scotland as a hero and all-around beloved man. Than think you take exit a somewhat Oedipal. Macbeth receives a prophecy of three witches (more on that later) who eventually King of Scotland will be created. Unlike Oedipus, Macbeth keeps this prophecy and not doing its best to not come true. In fact, when he his wife about the prophecy tells, she immediately begins plotting the King's death. The King is conveniently enough, plan to stay with the Macbeths shortly after they take this decision and Lady Macbeth with success her husband emasculates act until he does.

He only gets more unsympathetic from there. Apparently, once that he state murder was realized, he thought what is the damage in the killing of a few more people? He eventually becomes so obsessed with himself and his power that he even can't be bothered to mourn his own wife, leading to suicide by her extreme debt was driven. He speaks one of the most influential Macbeth quotes, "full of sound and fury; signifying nothing "if he is essentially claiming that his wife committed suicide on a very bad moment for him, and while William Faulkner may have found those words inspirational, they a little flat for the average person.

Paul Thomson is an avid reader of English literature. His areas of interests include studies on quotes of Hamlet and Macbeth quotes. In his spare time he likes to participate in online forums and reading literature for youth.

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Clodius Albinus

Clodius Albinus was born in Africa is a beautiful aristocratic family. His father decided to call him Albinus because of how it appeared he was when he was born. You would think that his father was abusive but his whiteness was praised in Roman society. Politicians bleached their togas as white as possible when they ran for office. So maybe it was a compliment. Still a weird name in my opinion.

He joined the army early in life. Marcus Aurelius (the emperor at the time) praised him for helping him with a rebellion. Marcus said that without Clodius the legions in Bithynia would have joined the rebellion also those problems would have been.

In those days were rebellions and revolutions primarily about how many legions you could get on your side. Sometimes it would be a good speech done on the balance tip that was supposed to be the next emperor or who would remain on the throne.

Now here is a funny chapter in Clodius of life. Coldius was a commander in Britain by the then Emperor Commodus. Now when Commodus died started Clodius denounce Commodus to his troops. He said the Commodus had a tyrant (undoubtedly true-almost all emperors were tyrants) he also said that the Senate should get back more power. In fact, however, Commodus was not dead it was just a rumor. Clodius became so well respected by now pretty much all that he got away with it. Despite the Emperor is furious.

Clodius the time came when the Emperor Pertinax was assasinated. Pertinax was not popular with the Praetorian Guard (the emperors bodyguard.) because he was not enough to pay. Now of all people to be unpopular with the people who are supposed to protect you. In fact, they did anything but. They Emperor Pertinax was murdered because they hated him that much.

That was not the smartest thing to do, but it really stupid thing was what they did next. Because they are not a replacement for Pertinax drawn up, they simply decided to the post of Emperor who would pay them the most. Effective auction it off.

Didius Julianus was the man who won the auction. But it was not going to be that simple for him. In the Roman provinces were very powerful men, who had huge armies under their command. Frankly, the way that everything had fallen was very uncivilized even for their standards. They were not happy.

So the challengers to the throne Pescennius Niger in Syria, Septimius Severus in Illyricum and Pannonia and our hero Clodius Albinus in Britain and Gaul.

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Beauty in architecture

' Conceptual art ' that dominates the world is considerably trapped in the realm of thought that is why we are obliged to learn about the individual peculiarity of the artist and her ideas. Conceptual art by his own definition has substantially moved to the cerebral Empire, and to a minimum the experiential dimensions of the work. In 1941 the discussed architectural historian Sigfried Giedion, a split which he perceived to have opened up between society's thinking and feeling; a split that he described as one of the diseases of our time. It was a schism that he society that we felt behind with the beginning of modernism left, but as we see, that was a premature conclusion. That split has not yet been resolved; Indeed seems to be bigger than ever and the fragmentation of the artistic disciplines and their respective target groups seems to be increasingly in the framework of our postmodern world. The theory of relativity and the inclusiveness of post-modernism is to be welcomed and celebrated, but the fact that everything must be tolerated does not mean that everything must be equally appreciated. The postmodern condition not suggest a way out of this situation. In the postmodern world is everything else but equal; to introduce relative value in such a world, we must transcend the relative, the qualitative and so enter the world of excellence, the theme of this Conference.

The reason that I feel that excellence a way out of the post modern maelstrom is is because it requires us to the transcend of the relativity of variety, difference and interpretation. ' Excellence ' find we defined as "pre-eminently in quality", and "quality" defined as "Degree of excellence". It's one of those words whose definition seems to be cyclic. Its meaning appears to turn on itself, it is difficult to put it down, it's elusive as the phenomenon itself. It seems to me to belong to another domain, another dimension. If the relative world works in the two-dimensional plane of everyday life, the life of diversity, change and difference, the qualitative world of excellence that potentially intersects vertical dimension at any point. We might also suggest it as a series of qualitative planes stacked one above the other with it pre-eminently plane suggest excellence. But it pre-eminently plane is never fully understood because the vertical dimension transcendent is infinite. Although these qualitative axis intersects the relative world and experienced in terms of the relative world, the characteristics are completely different.

If the relative world is understood in terms of the relationships between objects, shapes, colors, textures and ideas is the qualitative dimension characterised by the nature of those relationships. If the relative world is described by ' what ', the qualitative dimension described by ' how to '. We can almost say that it is in the qualitative less which objects, shapes, colors, ideas are related in a work, but more importantly how they are related. When we talk about what we relate, we talk about the type, size, number, cost; When we talk about ' how we relate ', we talk about taking the time, about grooming and even loving what we do. If we in the qualitative rich we focus on the way things are brought together. The precision with which colors, shapes, textures and ideas are balanced and composed all important to the artist and architect. It is because these creative people are concerned about the way things are reintroduced relationships that work as a ' fully integrated ensemble ' becoming more important than the individual parts. Beyond that is the way that this ensemble is stitched in the greater whole of the discipline or, more generally, the culture, also of equal importance. Wholeness and balance are therefore central phenomena in a recital of the qualitative dimension of architecture and the arts.

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How mythology has shaped society?

From the dawn of time, people from all countries have their own gods and myths invented. These legends are often passed from one generation to the next, until the invention of the written word. Once the written word was invented, it was much easier for people to keep track of their gods and the many heroes who went on quests, and mythology engaged in something much more interesting and personal for all societies. Gods who have their own personalities and agendas is gained, heroes went off on epic quests and from the mind of the authors, entire worlds were invented. Myth and legend had been linked to life back in the days of yore, and to this day, it's still a very important role in the society.

The days of the week are in fact named after the Norse gods, each of whom had a day dedicated to them, although there are not many people today who are aware of it. The creatures that modern society has come to love, such as dragons, werewolves, vampires, faeries and even all originated from several legends and myths. Mythology also plays a role in politics and even some of the spoken phrases that we use. Many video games and movies owe their back stories to beings or figures directly from the ancient texts.

Religion lead even of legends. People need to believe that there was somebody, some Almighty beings, which the world and everything in it. Therefore, the gods were born. Our modern all religions have very close resemblance to the gods invented by ancient cultures. Although it has evolved in the same way that all thoughts and dreams do, contain our all religions somewhat modern twists on the old mythology.

We even have our vehicles, some of our cities, planets, plants, animals and a few water bodies after mythological beings or gods. Pets are often named after mythological gods, and that trend has also started to influence how we call our children. Even some of our more common words such as "satire" are simply re-spell words from mythological texts. Some musicians mythological references in their lyrics or titles, and we still learn old religion in school. Although most people probably don't realize, is society actually very strongly influenced by the old society and the legends that have been created and passed on for thousands of years.

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Historic Headlines

Birthday newspapers-sometimes referred to as birth date newspapers by dullards-are one of those rare birthday gifts which transcend age barriers. What we say is that birthday newspapers in the United Kingdom as an appeal to the young, old and heading full steam in middle age. But why? The most obvious argument is that of history. Because these 100% original newspapers, as old as the date on their cover, they are actually your own little slice of history. So here, we take a look at some of the most monumental headlines to our nation newspapers have enlivened through the years.

The Daily Herald, Monday 16 September 1940

175 NAZI PLANES

RAF triumphs In largest air battles of war

Goering the air force had lost 175 machines up to ten hours last night after a day that saw the biggest battles of the air war fought. Fighters downed 171 and a.a fire four.

Interestingly, and perhaps predictable, these figures were not accurate. In an effort to maintain the nation's morals, the Daily Herald fell very much in line with Britain's propaganda policy, with the true figures actually closer to 56 downed German aircraft and 27 of the RAF.

Daily Mirror, Monday 21 July 1969

MAN ON THE MOON

And the message of the Earth: we are breathing again!

Man has landed on the moon. A new era in its history began at 9.18 last night when the lunar module Eagle settled gently on the dusty surface of the sea of tranquility. Erin-astronauts Armstrong and Aldrin, now destined for a permanent place in history. They immediately began to prepare for their walk on the moon. There are still dangers ahead. But these are really great performance. America, land of frontiersmen, has opened a new frontier.

Some 40-plus years later and America's space programme is slowly grinding to a halt. But for all his challenges, disasters and performance, there is no doubt this time irrevocably changed the world in which we live. And if nothing else, it gave the conspiracy theorists to something to get their teeth into.

The Sun, Wednesday, 17 August 1977

KING ELVIS DEAD

A massive heart attack on mansion

Elvis Presley, the King of rock n ' roll that millions died yesterday only excited, the age of 42.

For perhaps the greatest Rock n ' Roll star ever live, die of a heart attack on the toilet was not the most dignified way to go. Unfortunately, it was a huge surprise. In his last years, his weight had ballooned to just under 19 stone, while the last things he pretty much ate it together-four scoops of ice cream and six chocolate-chip cookies summed up.

Daily Mail, Wednesday 12 September 2001

APOCALYPSE

New York. September 11, 2001

The Sun, the same day

DAY THAT CHANGED THE WORLD

Suicide hijackers blitz America: Special Edition

We must certainly not more can say about these two, so we won't.

Daily Mirror, Saturday 30 April 2011

' Let's give them a kiss ... I love you "

The world rejoices ... Well mostly!

Only the most cynical Republicans awarded wills his big day. For the rest of us, or in General royalist or not, it was something to look forward to-not least because of the extra day of work! And so it was, with the world tuning in, that Catherine looked nice, while wills bald ... but looked handsome.

If you are looking for birthday newspapers are, there is a one-stop-shop with your name on it. Visit http://www.gonedigging.co.uk/ and you'll find the opportunity to an original newspaper from a certain date of your choice.

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Legend of the Holy Grail

The legend of the Holy Grail represents the symbol of life.

The Holy Grail is identified as a sacred vessel Jesus drank the last Super; used in the final meal with his disciples, the legendary sacred object caught our imagination down through the centuries. And the storyline remains more than an illusion of archaeological romance. The Grail is hidden in guise of many stirring accounts; Some stories are simply mythical immersive wiles, on a journey of revenge from Jerusalem to England, depicting fights with the old opponent Satan. The stories are truly fascinating, electroplating with symbols of life to our imagination in the metaphor of spiritual journey.

The Holy Grail is describe in early Christian traditions and literature as a legendary object and some commentators have made mention that the object itself is a plate, but most have said it is a cup of some description. While searching for the mysterious existence of the Holy Grail, the quest has not always been the find of a physical object, because for some pursuers, the Holy Grail just over the treasures of gold, silver or copper; It is an important Union of fellowship with God. The State of grace with God is free from the burden of sin and that peace within, when the guilt and penalty of death than the heart respect is justified by the faith.

What is the meaning of the Holy Grail?

It brings together a number of obsessions in mind, the first ingredient is connected with Christ, at his last supper meal, and therefore, the nobility of such defining moments lend credence to the belief that the Holy Grail superior spiritual forces, perhaps similar to those related to the Ark of the Covenant, lost out of sight in the Old Testament. If we look at the Holy Grail, let's get back in the history of a time where curiosity has driven our imagination to camouflage something out this mystery, where numerous attempts have done to popularize the blurry shroud of historical artifacts. Film Directors go to great length a compelling picture of the puzzle, DA Vinci Code, looks at the mystery of the Holy Grail. The image highlights the hidden object of a Cup, which can then be looked at in the story taken up in the story of Joseph of Arimathea, who is claimed to have caught the blood of Jesus, as he hung on the cruel Roman Cross to die. Joseph of Arimathea is no stranger to scholars of the Bible, because it was he who had his own tomb for Jesus funeral had donated.

Although this might not be everyone's mind, it is certainly the most consistent line of thinking, even for those who are not Christian concept. The fascinating subject of the Grail appears with perfect romance, and takes us through the labyrinth of time, with different cultures, the fulfillment of a lifelong quest promising. The power of the Grail can indiscernible to us, larger than all the concepts that we propose, so infinite; that no other powers on earth can compare.

These spiritual powers need to be awakened by our own purity and declarations of intent, then we will not be located on the negative conclusions which surrounds this precarious object of interest, by recourse to rites of magic or other mental activity that are set up in secret.

So much for the importance of the Holy Grail in our lives, the obsession could be the biggest need for Association, by learning the truth about God, we can study the Bible with great intensity; But history requires time and tales rightly times distinguish, for stories that a nursery role in people's lives. Then we can see the importance of the Grail and the stir it caused when first the eye of the world was called upon to express their opinion, the subject stream rises to the top of the fountain and remains Supreme.

The legend is associated with deep ecstasy, fusing elements of Celtic mythology and lore, van hoorn made drinking goblet, who could recover from life, and produce magic for hope, as were the stories, and other accounts relating to stories of medieval England in the middle ages, a period of about A.D. 500 to 1500. This period is also known as the dark ages.

During this period, King Arthur's Knights of the round table was associated with the account of the Holy Grail, this story claimed that the Grail was hidden in one of the most terrible part of England, after which only the purest Knight would be worthy enough to see and understand the path between life and death. so the Knight would land in search of the roam, this was their noblest quest, and it is believed that only Sir Galahad was the virtuous hero, eyes with the privilege of having the Rhapsody of the more than feed of revelation.

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What are ivory carvings?

The engraving of ivory, usually seen in the use of tusks of elephants, has been around for centuries. It is a crafting skill that as far back as the old Byzantine is used and is the most commonly seen shows by the Romans and their many remnants of the art. Nowadays with the use of ivory illegally created throughout most of the known world, however, it is an art form that is elevated and has grown into a prestigious Declaration of intent.

The ivory carvings should not be limited to just those of elephant tusks. In fact, almost every major dental of mammals worldwide be used. Although in some cases, the outer shell is far too hard for each carving of the to be effective. These pieces have an old world charm and a primal beauty. Ivory can be found in the Japanese Netsuke from the late Edo period and amulets and figurines of ancient Greece and Rome.

The sustainability of these pieces, especially when exposed to the elements and the Earth is, however, limited. It is therefore not much left in the way of actual cut pieces, especially with regard to Greece. Of course, there are a number of inspite of being limited in number and these pieces are one of the most popular items on the auction block today. Art scholars and museum curators are constantly looking for original ivory carvings and archaeologists consider such a search to very favourable for their research. Art scholars of course usually are looking for just such a taste to their collections are added. But no matter the enthusiasm towards such a piece, such a search is a valuable.

There are of course still ivory carvings is produced, but due to the ban, these are usually black market items and replicas of original pieces. Because of this, if a buyer you must be careful as to how many such an item is really worth it. Also, depending on which country you mentioned piece from buy, you should be aware of the customs rules: no one wants to travel with illegal items and what in one country can perfectly fine may not be in another Member State.

All in all ivory carvings a dated practice but a beautiful one. These pieces are both elegant and oer. As jewelry or artwork, or they are adorning a neck or a table will add these pieces a bit of uniqueness to a sphere. There are a variety of forms, including those of animal characteristics to human functions and even religious sculpture. So, while not everyone the Venus of Brassempouy in their collection, they can have as an ivory carving of each type of acquisition, it will have something to brag about.

Anita satin Choudhary writes for ivory carving Art Gallery. Browse through the gallery for a unique collection of artifacts of ivory carvings.

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Ivory Carving in vogue?

It is a common misconception that ivory comes exclusively from elephant tusks but in fact, there are many different types. Ivory can be obtained for carving out the teeth or tusks of many animals like the mammoth became extinct during the ice age. In Siberia only, it is of the opinion that there are still some 10 million mammoths have been buried in the area, so there is ample ivory to be harvested from this source and therefore no animal to die in the pursuit of ivory Carving.

The engraving of ivory dates back to prehistoric times and through the ages was the many decorative things that were produced of the coveted, valued and appreciated in many countries of the world and within many civilizations. Elephant ivory was for many years the material of choice because it was so easy to work, becomes soft and available in large pieces. Unfortunately, man's love of ivory carving appears almost extinct elephant and it is now an illegal practice for obvious reasons. However, there are still many antique articles which ivory carving collectors pay very much for sale. Many of these items find their way to very quickly huge private collections.

Mammoth tusks are also relatively easy to work with for carving but come in different colors depending on where they were buried. The outer layers of the tusks have absorbed different minerals and components of the earth so they can Brown, a bluish green or gray color, however, if the layers are worked by the Interior will eventually produce a pure ivory color. Ivory carving since predominantly in Europe, China, India, Eastern Asia and Africa almost time began and many religions icons were carved from it.

Particularly ornate carvings can be found that are associated with the religion of Islam because ivory lends itself as a material to be used for the intricate carving of the Islamic symbols. In Egypt have many weapons with ivory handles found in the tombs of the Pharaohs together with trinket boxes, coffins and items of jewellery beautifully inlaid with ivory carving. In Greece, Germany, France and the Netherlands are examples of found images and figurines from almost every period in history. In China beautiful Chess sets were produced together with chopsticks, room screens and furniture.

Japan also found many artistic ways to demonstrate the art of ivory carving toggles for purses and netsuke produce. There are countless examples around the world of the versatility of ivory for carving purposes throughout history and to this day. For many years in some cultures a gift of an elephant carved from ivory or an object with elephants inlaid in ivory was a popular gift for lovers on the basis of the memory of the elephant. If someone received such a gift she would never forget who gave it to them.

Anita satin Choudhary writes for ivory Carving Art Gallery. The gallery for a unique collection of artifacts of Ivory Carvingleaves.

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Maori warriors-the traditional New Zealand-Warrior

The Maori warriors are strong symbolic figures in culture and history of the Maori and New Zealand as a whole.

The Tattoos of the Maori warriors

Warriors were considered people of high rank, that is why they would receive tattoos. They would receive tattoos for decorating them and to do scare the enemy.

The cheeks, Chin, nose, forehead, buttocks and thighs were all covered with tattoos as a symbol of masculinity and performance.

Maori warriors and the art of Mau Rakau

Mau rakau is the art of the struggle that the Maori have developed over the centuries. It combines specific fighting techniques with the use of traditional weapons such as the taiaha or mere. These battles art can only be mastered after years of practice and commitment.

Warriors had to their balance, timing, as well as their coordination to fight with the weapons work effectively. They often trained with weapons, as well as the poi. Although the poi dances traditionally used for women, allowed the Maori warriors to work on their coordination, improve their strength and flexibility in both their arms and hands.

Maori warriors fighting techniques and strategies

Maori warriors were highly skilled and fierce. They mastered the art of ambush and surprise raids. They were able to surprise the enemy and disappear without a sound.

When facing the enemy warriors, would use psychology by their opponents through their facial tattoos, and the ' peruperu ' war dance, a famous today as the haka intimidating.

War parties and raids, were organized in order to surprise the enemy. The warriors would wait until dawn before charging at the enemy. She would therefore mainly do to conquer a new territory, to win more land, more food or dilution of the gene pool, in which case they life young women to have children would love.

It was not uncommon for the war parties gave to larger parties on the success of a fight. For capturing the spirituality and the status of a person who with the prestige, the warriors would eat them.

When the Europeans to New Zealand, they were quite surprised by the courage of the Maori warriors. Their fighting techniques and strategies of the war were totally different from what the British have been used.

Although the Maori very poorly equipped, unlike the British were, they won many battles. Their traditional fortified villages were clearly a strong Trump and they could keep the upper hand on many occasions.

To learn more about the Maori Warrior , as well as attentional information about New Zealand Free please visit our guide to New Zealand vacations.

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History of the Pegasus

Pegasus, the magnificent winged horse from Greek mythology, was born in violence. His father was the god of the sea, Poseidon. His mother was the gorgon Medusa.

The story that unfolds is a story of lust, envy and pride.

Medusa rivals the goddess Athena in beauty. Medusa's pride was her mane of Golden curls. Athena jealous of her beauty.

Poseidon, the brother of Zeus and Hades, ruled the seas, storms, Earth and horses. He was violent, lustful and self centered.

Poseidon saw beautiful Medusa worship in the Temple of Athena. Fascinated by her sweet face and glorious, Golden ringlets, Poseidon seduced and raped Medusa in the temple. The chaste Athena averted her eyes, but Medusa's beauty jealous and angry by the desecration of her temple, Athena enacted her revenge on Medusa by turning her face ugly and her curls with snakes. They cursed Medusa so that anyone looking on her would be converted to stone.

A young hero called Perseus was the son of Danae, the daughter of a King, and Zeus, the god of all gods. Want to Danae for his wife conceived King Polydectes an artifice to send Perseus until his death. He sent Perseus killing Medusa expected the boy to be killed. Zeus realize this, sent to help Athena and Hermes of Perseus in the attempt. With their help he was successful.

Perseus cut off the head of Medusa. As he was the head in his knapsack bring he saw an amazing birth. A small winged horse and Chrysaor, his brother, jumped out of the blood flows from the neck of Medusa.

The winged horse flew to Helikon, home of the nine Muses. The magical and playful Horse lived free of charge. He helped the Muses, even creating Hippocrene a gushing, magical source for them.

The Greek hero Bellerophon captured the winged horse with a magical Golden bridle given to him by Athena. He drove Pegasus to kill the monster Chimera.

Bellerophon desired to fly to Mount Olympus, home of the gods. This angered Zeus and he'll send a plane to bite the flying horse. The bolted and Bellerophon was thrown. The winged horse remained his only flight. His task was to carry the lightning of Zeus in the sky.

Pegasus can be seen grazing in the night sky. Search the 4 bright stars form a square, and the stars that the curve of his neck.

For more great stuff on Fantasy visit mythology and Magic http://www.thefantasymythicalmagic.com/us.

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The Ashmolean Museum Japanese Classic Collection

The subject of Japanese illustration is a very fascinating topic in the famous Ashmolean museum. According to the folklore are the people of Japan direct descendants of the Sun Goddess. It is also thought that the country of Japan itself is of divine origin! For anyone familiar with the history of East Asia the Japanese are indeed a very special group of people. Of course, they are very aware of their unique heritage. There is a common ties with the Mainland of Asia, but the Japanese have always lived their lives separately present as an "island" people. It is with a sense of pride that there is Japanese artwork in the collection of the Ashmolean from the very beginning of the long history of the museum. There is the Cabinet of curiosities assembled by the Royal gardeners. The Tradescants, recorded in the early 17th century, a pair of Japanese zori. It was described in the 1656-catalogue of the collection as "Sandals made of twigs." There is a circular lacquered leather shield in Japan with a European arms. However, until the Ashmolean Eastern Art Department was founded in 1961, the museum of Japanese companies has remained small. The highlight was a group of about 1300 tsuba sword guards created in the late 19th century by the prominent scientist Sir Arthur h. Church.

Since 1961 is the Ashmolean Japanese collections has grown gradually. It is steadily formed by the generosity of patrons and also by the vision of the museum curators. The most notable contribution came from Oliver Impey which curator of Japanese art in the Ashmolean museum from 1968 to 2005. During his long career in the museum building Oliver Impey a broad-based collection of fine Japanese art. It now numbers about 5,000 objects, plus some 3,000 potsherds. There is also a small amount of early material in the collection, including haniwa, a few Buddhist sculptures and some early lacquerware. Most of the collection dates from the Edo (1603-1867 CE) and the Meiji (1868-1912 CE) periods. There were certain strengths in the fields of the 17th to the 18th century export porcelain, as well as other export art of the Meiji period.

The Ashmolean new Japanese galleries opened in December 2009. They are designed around this very important collections of export art. It is true that they also reflect the new approach to the museum to its displays. These screens emphasize connections, contracts, and cultural exchanges. One must understand that the Japanese collections formerly in decorative and fine art galleries were separated. The two new Japanese galleries are organized as chronological displays: "Japan 1600-1850" and "Japan from 1850." In addition, Japanese displays are open in the thematic galleries around the facility. They illustrate the importance of international trade in the 17th century in "West Meets East" and also different approaches of conservation in ' restore the past '. Another reflection comes in the form of decorative applications of script in "reading and writing."

The Japanese collections are an important part of the Asian heritage present in the Ashmolean museum. To classical Japanese works of art to view correctly, one must consider the undisputed facts about old stock exchange in East Asia. The scholars of China and Japan were completely separate from the scholars of the West. In the Western scholars tend to restrict their learning to specific areas of study by strict discipline of the spirit. Asian scholars follow this same path to understanding. They were at one and the same time scientists, philosophers, artists, calligraphers, poets, Essayists and historians very often. Of course, these scholars interpreted their culture as a cohesive, organic whole. The illustration of Japan should be studied by all the possibilities of art, religion and economic and social life. If one views such collections as the one on the Ashmolean, it is necessary to consider the meaning of the Japanese culture first. This is the best way to the people of Japan that painstakingly produced this excellent pieces for their civilization to honor. This illustration is a direct snapshot in the past who abides with us to the present. We need to become better acquainted with the present, the past understand.

Harlan Urwiler answering all questions of your Asian collectibles.

For more information, please feel free to visit my website at: http://www.myorientalgallery.com/.

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Cultural perspective

There are many ways to look at cultural differences in an organizational context. The orientation of the individual the world is an important part in determining how that person will be the view of other cultures. An ethnocentric orientation, most often associated with the Americans, sees the world as being similar to the country of origin. So assume consensus proposal that all the people think and act the same, or at least that people from other cultures think and if the consensus proposal tabled. In essence, underestimate consensus proposal substantially the importance of cultural differences in doing business outside their country of origin.

The polycentric perspective is one that each country or culture as a unique view. This orientation works with the motto Think local, act local, where cultural differences are exaggerated and there are few or no opportunities for the development of regional economies of scale. In its orientation, cultural differences over stressed. Orientation is the perspective, where the individual recognizes similarities and contrasts between and across cultures.

Consensus proposal underestimate neither exaggerate the challenges that cultural differences in doing business across national borders present. It is a world-centered perspective that is important to develop in managers who strive for an international business career. Using a geocentric orientation, has the famous Dutch social scientist developed the most widely accepted framework for understanding the organisational impact of cultural differences.

His data comes from an analysis of the cultural differences between groups of workers from different countries for the same IBM global business worked. Identified four main components in comparing and contrasting cultures as a means to analyze the impact of cultural differences on organisations to use:

1. Select the distance. In cultures that high power distance, there are large gap between the haves and have-nots when it comes to career opportunities within business and professional fields. Power distance also refers to the gaps in power and influence within an organizational setting between the executives and middle managers to frontline. In societies that have high power distance, the employees and managers at a lower level is expected to simply follow the orders of the executive bodies without much empowerment for decision-making-at their level.

2. to avoid Uncertainty. Description of cultural differences to those related to the structure and level of comfort with ambiguity. Cultures that are low valued at uncertainty have not structured societies that work without a high level of formal rules and social standards. Those who are rated high in this dimension reflect people who have a strong need for social order and are uncomfortable with uncertainty.

3. Individualism-collectivism. Reflects the continuing of cultures which, on the one hand, very value individualism, and on the other hand, place a premium on the collectivist needs of the group as a whole.

4. Masculinity-femininity. Valued layer in this dimension, as a result of more attributes, value relationships, harmony, and caring for others more than performance.

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The metal Element In Chinese metaphysics-the judge

The five elements manifest the five main attributes that us through the life ...

Earth gives us the grounding and stability and

Metal the direction of where we want to go; While

Water expresses the fluidity of life and our willingness to change,

Wood gives us the opportunity to grow and expand

Fire provides us with enthusiasm and joy of life.

Let's take a closer look at the Metal person:

In Chinese metaphysics the metal person is best characterized by ' structure ', order, logic and clarity; her ability to cut and separating is associated with discipline and justice, good and bad, Yes and no, black and white, there are no gray or shady areas. Muddy, fuzzy thinking or Chaos for metal people is valued nor understood; submission of information, learning something new, even people have to a certain structure or category if this person does not like surprises. This systematic way of thinking gives him/her the feeling of security and is responsible for and makes him/her a reliable friend.

A preponderance of metal in the birth chart (the basis of an analysis of the personality), a person who is honest, fair, analyze, and think in a very rational, structured and streamlined way of describing. Respect-give as received is of high value.

If out of balance that the metal person can be judgmental and brag, a perfectionist, calculation and constantly attempts to ' learn ' from other people. As a child he/she strategic games fun, structure and discipline, would ' logical ' answers and not shy away from open conflict in finding logic clarification; He/they thrives in a planned daily schedule and perhaps problems with spontaneity. Rules are usually accepted as long as they are honest and before are explained.

Within the project Metal people prefer to work with so few people as possible to keep errors and ' surprises ' minimal. Working with a material instead of ideas would fulfill this character most like creativity can scare him/her. Very often, metal people works in the respective environment, such as cars, construction, technical engineering where clear, structured thinking is required. He/she is not particularly competitive, but instead his/her own high standard follows.

Health wise the metal Element is the Lung (breathing) and colon (digestion) that embody the Metal energy-distributing inhaling and exhaling useful substances separate useless ones are eliminated.

Emotional the metal Element that is more of a reserved character, it is mourning and sorrow about someone or something lost or missed opportunities in life that are often reflected in a sensitive respiratory tract or the inability of letting go (digestion).

Copyright 2010 private life

Apart from an early interest in art and culture of Asia is Ina Niemann professional background in languages, but most of all, in design (graphic, Fashion, furniture, Interior) and painting. Ina became interested in traditional Chinese medicine to help a close relative-with amazing results. This was followed by many years of intensive professional studies of acupuncture, Reiki, BACH flowers, JinShinJyutsu, EFT, personality analysis (four pillars or Chinese Destiny) etc. In the past 23 years, has the theory of five elements-a fundamental Outlook on life, on the basis of the laws of nature-influenced her the most. Ina offers help in getting your life in http://lifebalance.com.sg/metalstock

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Native American lances throughout history

The Indian lance was a weapon used against both other men and animals during hunting events. Warfare played an important role in Indian life, and the Lance was the weapon of choice for this activity. Originally, lances consisted of a length of solid wood with a tip of obsidian, Flint or copper. Later, were stronger iron or steel tips. Besides being used as a weapon in the war, were Indian lances also used for hunting. A well thrown lans can bring down a buffalo, deer or Antelope with no problems.

The tradition is still carried on by Indian craftsmen, although no longer lances for purposes of incursions or warfare. Reflected in the construction of each Lance, the affinity of the Indian nature. A tip from chert or iron is carefully linked to a length of strong, straight timber. The shaft of the Lance is often wrapped with leather to ensure greater rigidity. Such things like feathers, calico, bits of fur, or important totemic pieces of articles that can be used to adorn the Lans.

We are able to set up a group of Indian hunters, mounted on their horses, galloping in pursuit of a small herd of Buffalo. The distance is fast closed between the hunters and prey. The very long hunting lans, sixteen metres long or more is ready. The needs of the tribe met again, as the Lance is thrust into the Buffalo's body. Hunting spear was normal approximately twice as long as a lance which was used for warfare. War of the Lance can be thrown at an enemy or used in a closer fight. The enemy can be kept at Bay, for fear of the mighty lance.

The pride of the Indian culture is reflected in lances created to this day. Ages value of knowledge has the hands of the artist learned how to properly craft a unique Lance. The wood is carefully selected and the entire lans is constructed with tradition and quality in mind. A Native American Lance can serve as a centerpiece for a collection of Indian artifacts. The size of the Lance makes it a weapon that is to be taken seriously. There are a variety of styles of lances to choose from, so as a focal point for your living room wall. To the House decorated in a Western, Southwest or rustic theme, will be a Native American Lance above the fireplace add the perfect finishing.

Author Craig Chambers offers more about Native American lances on his website. You can also get his monthly newsletter, online discounts and its popular free ebook download of http://www.missiondelrey.com/.

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The Cele Kula: the last of the skull towers

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Duke Stevan Sindjelic sacrificed his life on May 19, 1809 battling for Serbian independence against the Ottoman Turks, and in the process attained the status of an almost mythic national hero. The three thousand troops under his command were attempting to hold the hill of Cegar in the city of Ni? against vastly superior forces, and were worn to the point of exhaustion. According to the legends surrounding the battle, Sindjelic realized defeat was inevitable and set fire to a large ammunition dump, forfeiting his own life and those of his troops. Sindjelic's act ensured that the Turkish victory was Pyrrhic-it cost the Turks more than they gained-and in an attempt to terrorize the local populace and break any further resistance the bodies of the Serbian soldiers were decapitated, and their heads sent to Istanbul as trophies. The Ottoman sultan, however, returned the heads to Ni?, deciding they would be more effective built into a tower by a busy road to serve as a permanent and highly visible symbol of the futility of rebellion.

The resulting Skull Tower of Ni?, or the Cele Kula as it properly called, was hardly a novel idea. In fact, it represented the last-and today the only surviving-example of what had been a long-standing Middle Eastern and Central Asian tradition. Monuments which commemorated military victories by displaying the remains (usually the heads) of vanquished enemies dated back at least the fourteenth century, and most frequently took the form of a tower or pyramid. The most infamous were constructed by Tamerlane, who erected them outside of both Baghdad and Isfahan; one was supposedly built out of 100,000 skulls. Such structures were considered the most effective means to simultaneously celebrate a victory and break any remaining morale among those who survived the defeat. The tradition spread as far east as India-one, built by Akbar, is known from Mughal miniatures.

Even before the Cele Kula, Europeans were familiar with this tradition, principally because of the Burj-er-Roos (Tower of Skulls) on the island of Jerbeh off the coast of Tunis. It was a conical masonry structure about 30 feet high, set all around with the heads of Spaniards who had been massacred by Saracens in the late sixteenth century. The exact history of the Burj-er-Roos is murky, but the story as it was most commonly told involved Spanish troops landing on the island en route from Malta to Tripoli, under a commander whose name is usually given as Juan de la Saera. The Spaniards made their way up from the beach and sacked the nearest town, raping and pillaging at will. The locals, meanwhile, bided their time for a counter attack-they waited until night, when the Spanish troops were drunk and the high tide had cut them off from their vessels on the beach, and slaughtered them to a man. The tower constructed by the victors was topped with the head of de la Saera himself, and reasonable estimates are that it contained the heads of perhaps 800 Spaniards. The Burj-er-roos was a popular site for travelers along the southern coast of Mediterranean Sea through the mid-nineteenth century, but it was finally dismantled in 1848 by Christian inhabitants of the island, who wished to bury the skulls in a Catholic cemetery.1

The Cele Kula is the last skull tower ever constructed; in fact, it was archaic even at its conception since the practice had long been out of style, but was intended to shock the Serbs with its anachronistic display of Old World barbarity. While it may have succeeded in that aim initially, in the end its value became something very different-it wound up being seen not as a mark of humiliation, but a symbol of bravery and heroic sacrifice, and when Ni? was liberated in 1878 the decision was made to preserve it as a patriotic monument. The tower proved to be such a potent memorial that was sanctified in 1892 when a chapel was built around it. Still enclosed in the small domed chapel, the Cele Kula has become a curious nexus in the cultural life of Ni?. For some it holds the status of a sacred relic, for others it is a bizarre curiosity; it attracts serious students of history, but also people with entirely different interests-including a local man who owns a white goose which he claims can commune with the souls of the dead soldiers whose skulls are present in the tower, and pass on messages to their descendents.

Those who visit the Cele Kula now are seeing it in a greatly deteriorated state. The Turks intended it as a warning to rebellious Serbs, not as a monument that would last for two centuries. Technically its construction its crude, and exposure to the elements during the nineteenth century caused the mortar to deteriorate to the point that large numbers of the skulls had come loose, or simply fallen to the ground. Many were taken by locals, either because they wanted to bury them or because they wanted them as mementos. From afar, the stories told during the nineteenth century of the Cele Kula conjured fantastic visions of a gigantic edifice stacked with crania, but this was a far cry from the reality of its condition. The tower was originally composed as a square with 14 rows of 17 skulls per side, for a total of 952, and it quickly fell into disrepair, even as its myth became increasingly glorified and its size and condition greatly exaggerated. A traveler in the 1830s published an account claiming there were 600 skulls on each side, which would be a total of 2400.2 That number was bettered considerably by the Frenchman Alphonse de la Martine, who also visited in the 1830s and published a memoir in the 1840s which declared "there might be from fifteen to twenty thousand" skulls present.3 Both accounts were trumped by an 1854 book which inexplicably described "a pyramid of 30,000 Chistian skulls (Servians), victims of the Turkish sword."4

Such outrageous accounts caused visitors to the site to be bitterly disappointed. A traveler in the 1830s expressed his disappointment, calling it a "petty affair," and reporting that in reality there were only a few skulls still remaining.5 By mid-century it had fallen into such disrepair that it was being openly mocked by visitors. An Englishman reported that he found birds nesting in the holes where the skulls had once been, and that a "sparrow's eggs were being hatched in the brainless peri-cranium of an ancient Serbian patriot."6 The decrepit block currently holds some 60 skulls, but since more forthright reports indicate that some of these were returned during attempts to rehabilitate the structure, the reality is that visitors to Ni? in the late 1800s arrived to find the tower almost completely denuded of skulls. Efforts to restore the Cele Kula began with the recognition of its patriotic value in the late nineteenth century. The decision to enclose it in the chapel was in part made to help protect what remained, and the tower is now enclosed behind a glass wall so that visitors are unable to touch it, and help ensure that this unique monument-the last of its kind-will be preserved for future generations.

Notes

1. See Thomas Kerrich, "Some Account of the Island of Jerbi, and the Tower of Human Heads, From Information Obtained on a Visit to that Island in the Summer of 1833," in The Amulet: A Christian and Literary Remembrancer, Ed. Samuel Carter Hall (London: 1836), 9-37; Major Sir Grenville T. Temple, Excursions in the Meditterenean: Algiers and Tunis, vol. 1 (London: 1835), 156-157; Jamrs McCaulley, Wonderful Stories of Daring Enterprise, and Adventure (London: 1887), 100;; "Jerbeh's Tower of Skulls: A Grim Monument to Saracen Vengeance," New York Times, 6 Feb. 1881 p.10.; Robert Sears, ed., Sears' Wonders of the World. Second Series (New York: 1856), 63-64.

2. Richard Burgess, Greece and the Lecvant, or a Diary of a Summer's Excursion in 1834, vol. 2 (London: 1835 revised), 272.

3. Alphonse de la Martine, A Pilgrimage to the Holy Land: Comprising Recollections, Sketches, and Reflections Made During a Tour in the East, vol. 2 (New York: 1842), 266-267. The account was originally written in 1832.

4. Ivan Golovin, The Nations of Russia and Turkey and their Destiny (London: 1854), 41.

5. Francis Herve, Esq., "A Residence in Greece and Turkey with Notes on the Journey Through Bulgaria, Servia, Hungary, and the Balkans, in Waldie's Select Circulating Library, vol. 12 (Philadelpia: 1838), 169.

6. James Henry Skene, The Frontier Lands of the Christian and the Turk, Comprising Travels in the Region of the Lower Danube in the Years 1850 and 1851, vol. 2 (London: 1853), 401.

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Understanding of Russian culture in its many forms

When you move from a particular community or a nation speaks, you are immediately enchanted by their well-preserved culture and tradition. That's where with a mammoth called Russia. With a plethora of cultural practices, traditions and forms of art floating around the nation, Russia has much to offer. Whether it's the theatre, history, architecture, art forms, the famous Russian nesting dolls, local customs and traditions, the dressing style or folk dance, the list is endless. A fancier where Russian culture celebrates elements of this rich culture in more ways than one. Let's have a brief look at the valuable elements of the rich Russian culture:

The theatrical culture:

During the Soviet times, the theatrical culture emerged and evolved rapidly. Russian artists were distributed around with immense talent in various forms of theatre such as the Muppet Theatre, youth Drama, Musical and Opera, and so on. Live performances were a Supreme favorite of the Russians. Cinemas also developed interest among the Russian admirers of art; While they cinemas named as ' cinema ', however, the live performances that were called ' Theatre '.

The culture of education:

Trust the Russians and their high regard for education that there is a culture in itself. In fact, book reading a favorite past time among most Russians. The books are also very cheap and widely available. With master writer s such as Nikolai Gogol, Leo Tolstoy and Maxim Gorky, you can't really blame the Russians for their love of books.

The culture of the community work:

Community work constitutes a major part of the Russian culture. People from different social strata are encouraged to take their two bits contribute to society. The community work is often rewarded with lifestyle incentives on the basis of the community service they people in deepening. Incentives may include free or cheap travel allowances, which uses goods deficit and obtain better government housing.

Crafts:

There is nothing typical Russian than a number of Russian dolls neatly stacked one in the other. Handmade dolls have several figurines of diminishing sizes that perfectly fitted and can only be manufactured by skilled Russian craftsmen with years of training and experience. The dolls have become an integral part of every tourist visiting Russia.

These are just some of the things that collectively managed to get the average Russian intellect. And if you're looking for proof, with an average Russian speaking at street; you'd be amazed with his knowledge.

Russian culture interests many around the world, especially in connection with the old meaning that career guidance even in the modern era. The perfect example of the same is the eternal glory of Russian dolls. The author has many articles written about Russian nesting dolls and Russian culture.

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German Alraunas, Magic prophetesses

The word "alrauna" has been used for centuries as a German synonym for "witch." Historically, however, it originally referred to pre-Christian Germanic women, also described as priestesses, prophets, shamans and magical practitioners. Alrauna, seems to derive the same roots as "rune" and "rowan". Very little information about the Alrauna survives. What remains is derived almost exclusively from Roman comments.

All German tribes affected by Julius Caesar and Tacitus, strongly believed in the prophetic powers, seeing a lot of women. These prophets, the Alraunas, were considered sacred and sometimes divine. Here is a list of some of the most famous celebrities of their era; Very little is known about them, but some names still survive.

* Ganna, "the seer of Semones," went to Rome in 91 Ce with King Masyas, where they honored the Emperor Domitain. (Her name may be related to the old Germanic gandno, "Magic".

* Velda, sang (maybe with Rune-Songs) the Germans in the fight during the reign of Vespasian (69-79 CE). They lived near a sanctuary by the River Lippe and accurately prophesied Germanic victories. Her name, also spelled Weleda, can be related to the root word for "wisdom" and "Witch" and can actually a title. She is described as a member of the Bructeri tribe; After a military defeat, she was captured and taken to Rome in 78 CE, where she was treated with surprising respect, and was hosted by the Vestal Virgins. Reportedly, during her time in Rome she served as a translator and negotiator between the Romans and various Germanic tribes. She died in Rome c. 80.

* Waluberg traveled to Egypt with Germanic troops in the second century CE. (Walus is an old German term for a "magic wand.")

Blessings,
Lory

Lory Woortman is a writer, water color artist and Garden Designer. Lory is interested in the study of quantum physics, Norwegian myths and religion. She lives in a small country town in North Eastern Pennsylvania with her husband, writer, Ellis and her dog little Dixie. Lory has a blog and many articles that are "Free," relating to Norse mythology, shamanism, Runes and quantum physics.

http://mistressofenchantment.blogspot.com/

http://www.olevikingshop.builderspot.com/

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My grandfather, John Jones and the Pullman sleeping Car Porters

My grandfather, John Jones was born in Gonzales, Texas in September 1888. He grew up in this small town and went to the local primary school there. At the age of sixteen and after taking a young girl, Minnie Weathers for his wife, he moved to the then cattle Empire of Fort Worth, Texas.

For more than forty years was my grandfather job that of a member of a brave group of DISTINGUISHED black gentlemen as the Pullman sleeping Car Porters or just know the Pullman Porters. They were named after George Pullman of the Pullman Palace Car Company training, the inventor of the Pullman sleeping Car designed for luxurious long distance rail travel.

As a Pullman Porter traveled my grandfather from his home in Fort Worth on many different train routes in the United States for the Texas and Pacific Railroad during the heyday of traveling by train from 1922 until 1962 when he retired.

When I, his grandson, born in Fort Worth, Kansas City, Missouri in 1977 moved, he told me many travel stories about his train to Kansas City. He told to come to the nation's largest train station, Union Station Centre (Grand Central Station in New York, as the first) and see all of the billboards on a hill opposite the station (now where is the Westin Crown Center Hotel) and then spend the night in the Hotel streets for Blacks located in what is now known as the 18th & Vine Historic Jazz District (a national District of historic places in the United States).

My grandparents were happily married for 65 years. They raised seven children all college trained of the salary that he received and the tips he earned from the many passengers travelling he served. My grandmother died in 1978 while my grandfather lived to 99 years old and died on Thursday, 9 June 1988 only a few months before turning 100 years old.

The Pullman Porters and their rich American history: George Pullman of the Pullman Palace railway car company founded in 1862, train cars created and developed the luxurious Pullman sleeping car that was used on trains for long and overnight travel. These cars, first introduced to the railway in 1867 had carpet, curtains, upholstered chairs, Libraries and card tables along with private sleeping rooms with beds and a bathroom for long train journeys.

Mr. Pullman had the idea to a group of very distinguished, to hire good looking, well dressed African American men to serve as Pullman Porters to help train people with what they might have while on board. This turned out to be great work for the Porters and was considered a very prestigious job on what Mr Pullman called a "Hotel on Wheels".

During the 1920s, Mr. Pullman cars had more than 9,800 Pullman train and he more than 12,000 African American Porters working. He was the largest single employer of blacks in the country at that time.

The daily work of a Pullman Porter was long and hard but good salary offered during the time the porters and also offered a chance to see the country. During the early years would they work 400 hours per month and 35 cents per hour or approximately $ 810.00 per year plus the tips that they wish to receive. This was good money and showed them to the proper care of their families and send their children to the University. Their prestigious job also helped the black middle class of that time.

The Pullman Porters were basically members of staff and had all kinds of demeaning behaviour of white people. There were many times when they were not mentioned by their names but rather referred to as "George" after George Pullman or just "boy" who hated them all.

Their daily work included shinning shoes, making beds, Room service, provide help of the traveling passengers with luggage or just about anything would want or need. The better the service the better the tips, which they hoped would receive. Sometimes a quarter and sometimes even a rare dollar as they provide very good service. In addition, the Pullman company policy work was hard and allowed the porters only four hours each night and they had to pay for their uniforms, logging and eat sleep.

On August 25, 1925, the Brotherhood of sleeping Car Porters founded by a black businessman, a. Philip Randolph. It was the country's first all-black Union and helped pave the way for better employment benefits for the porters.

On 25 August 1937 the Pullman Company signed a working agreement with the Pullman Porters who became the first ever labor agreement between black workers and a great American company. The result of the agreement included benefits such as reduction of their working hours of 400 per month up to 250 and increasing their salary of $ 67.50 per month to a minimum of $ 89.50 per month.

The Pullman Porters were highly respected members of their communities and were credited with contributing to the development of the black middle class in America like Black doctors, lawyers and educators of the time.

In 1968, the Pullman Company ended the operation of their sleeping cars and various railway companies took the Pullman car feature.The Porters were transferred to such companies as the Union Pacific Railroad and later Amtrak.

In short, if you ever have a chance to ride the Amtrak train today and you notice a nice Black Man taking care of your wishes him good tip and don't forget the proud history of the Brotherhood of sleeping Car Porters and in particular not remembering my grandfather, Pullman Porter John Jones "George" or "Boy".

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